Paul Helm. Faith, Form, and Fashion: Classic Reformed Theology and Its Postmodern Critics. Eugene, OR: Cascade Books, 2014. 284 pp. $32.00.
Paul Helm is worried about the state of Reformed theology. The dangers that trouble him, though, are not the enemies at the gate but the dangerous friends unwittingly doing damage from within. In his latest, forceful offering—Faith, Form, and Fashion: Classic Reformed Theology and Its Postmodern Critics (henceforth FFF)—Helm takes aim at recent strands in Reformed theology he thinks are drinking too deeply from the well of postmodernity, endangering the well-established methods of “Classic Reformed Theology” (which Helm calls CRT) in order to accommodate the intellectual fashions of the age. More specifically, he singles out Kevin Vanhoozer’s theodramatic theological proposal, as well as the work of John Franke, as the chief exemplars of this drift.
We want to be clear at the outset that students of Reformed theology and philosophy owe Helm, teaching fellow at Regent College in Vancouver, a debt of gratitude for his generally excellent work in the field. What’s more, conversations about the issues he raises need to be engaged. Regrettably, FFF is not the book to constructively carry it forward. While there is much value in his introductory comments, Helm’s portrait and criticism of his interlocutors is beset by a lack of interpretive charity so as to be deeply misleading, and at times simply factually mistaken.
Since we are better acquainted with Vanhoozer’s corpus, and the bulk of Helm’s critique is aimed at him (Franke gets a chapter-and-a-half, compared with Vanhoozer’s five-and-a-half chapters), we will focus our analysis on his critique of Vanhoozer.
Soli Deo Gloria