“The drama is in the dogma,” Dorothy Sayers once said. It seems no evangelical theologian has more enthusiastically taken to heart her statement than Kevin Vanhoozer, research professor of theology at Trinity Evangelical Divinity School outside Chicago.
Building on the foundation laid by H. U. Von Balthasar in his multi-volume series Theodrama, over the past 12 years Vanhoozer has put forward and developed his own “theatrical” approach to doctrine and theology.
Beginning with The Drama of Doctrine (Christianity Today’s 2006 book of the year in theology), Vanhoozer argued that the category of “drama” is well suited to conceptualizing a theology that takes its cues from the gospel. Doctrine, on this model, is the stage direction that enables disciples to participate rightly in the drama of the gospel. Doctrine does this by rightly identifying the dramatis personae (God, Christ, Israel, and so on), the shape of God’s (theos) actions (drao = to act, drama) that come before (creation, election, Jesus, church, consummation), and in that light, our role in local community performances as the company of the church on the stage of the world.
Vanhoozer followed that up a few years later in his groundbreaking Remythologizing Theology (2010), putting his theory into practice by engaging in some 500 pages of theology proper. Essentially it was a call for theology to reorient itself to speaking of God’s being on the basis of his dramatic doings revealed in Scripture.
Despite their wide acclaim, however, the size, complexity, and price tag of these works has prevented many pastors outside the academy from been exposed to Vanhoozer’s work. This is a shame because—and I know this is a bold statement—these are two of the most important works of evangelical theology written over the past 15 years. The Drama of Doctrine saved my theology of revelation and Scripture in the emergent years, and Remythologizing Theology did the same for my doctrine of God. If I could force every seminary student to closely read and digest those two books, the church would be saved a lot of theological grief.
Enter Vanhoozer’s newest work, Faith Speaking Understanding: Performing the Drama of Doctrine. Let me put it this way: if Drama of Doctrine and Remythologizing Theology had a child, it would be Faith Speaking Understanding. Though intended as briefer, less intimidating introduction to and practical application of his theodramatic theology for pastors and serious students, it isn’t a mere rehash of the last two works. As Vanhoozer explains, Faith Speaking Understanding is “an upstart sibling with a swagger of its own, namely a full-fledged proposal for the role of theology in the church’s task of making disciples” (xv)
Please go read the rest of my review over at TGC and then go buy the book. It’s that good.
Soli Deo Gloria
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