Earlier this year, Jars of Clay’s Dan Haseltine caused a bit of an uproar after he tweeted some questioning things concerning same-sex marriage. Now it appears that Gungor is the latest popular evangelical musician to be caught in the middle of a theological controversy, thanks to some interview comments and his project with The Liturgists, a group that includes people that evangelicals often find controversial (e.g., Rob Bell, Rachel Held Evans).
World Magazine sounded the alarm:
The band’s new ideas are more clearly set forth in a blog post titled, “What do we Believe?” Here the author chafes that a close friend no longer considers him a Christian: “Why? Not because my life looks like Jesus or doesn’t look like Jesus. But because of my lack of ability to nail down all the words and concepts of what I exactly BELIEVE.” Then he nails down exactly what he doesn’t believe—in Adam and Eve or the Flood. He has “no more ability to believe in these things then I do to believe in Santa Claus.”
This theological ambivalence is on display on Gungor’s latest project—a collection of EPs released under the name The Liturgists. Working with Pastor Rob Bell—author of Love Wins—and various poets, Gungor creates ambient music to accompany spoken word poems on religious themes.
Predictably, the conservative Internet blew up. Tweets were tweeted, tears were shed, and sad/angry farewells were bid. Also, from the other side, mournful recriminations against the narrow-mindedness of the aforementioned were issued as well.
I suppose I should have seen it coming. Gungor’s been buddies with Bell and recommending his books for a while, and when I saw The Liturgists’ God Our Mother EP a while back, I thought “Well, that’s just asking for some sort of reaction.” Still, despite the lack of surprise I’m feeling, it seems appropriate to reflect on some of the institutional and pastoral realities that these incidents reveal.
You can go read them at Christ and Pop Culture.
Soli Deo Gloria