While many other scholars have made similar points, Kevin Vanhoozer and N.T. Wright have probably done more than any other theologians to help me understand the Bible as a drama. As opposed to viewing the text as a static collection of theological bullet-points, they suggest we conceive of it in active, narrative terms, with a plot whose development yields the doctrine which gives life to the Church. So, when one of them offers up a criticism and nuance of the other’s approach the way Vanhoozer does here, I’m definitely interested:
Tom Wright has thrice put forward a model for conceiving biblical authority that trades on the notion of biblical improvisation. He compares the drama of redemption to a Shakespeare play, most of whose fifth act is missing. The church has the first four acts (creation, fall, Israel, Christ) but must work out the fifth act (church) for herself, all the while remaining in character. It is not enough for the actors “merely to parrot what has already been said”; they must go beyond the sacred page and find—improvise!—the conclusion. Still, the first four acts are the “authority” for the fifth act, hence the idea of “improvising with a script.”
This suggestive model has much to commend it. However, I see the fall not as its own act, but as the conflict in the first act, creation. I prefer to see each of the five acts of the theodrama as set in motion by a divine act. Hence: creation, election of Israel, Christ, Pentecost and the church, consummation. On my dramatic reckoning, the church does not have to work out the ending so much as to live in its light. The essential thing is to play the right act. The church is no longer in Act 2, under the law, nor in Act 3, in which case it would have to do the work of Christ. Nor is it already in Act 5, as some in the first-century church at Thessalonica with an over-realized eschatology mistakenly thought. No, the church is in Act 4, an in-between the first and second comings of Christ time, marked by the firstfruits of the end time but not yet at the end.
-Four Views on Moving Beyond the Bible to Theology, (Kindle Locations 2961-2973).
On one level I find this all rather compelling. The more traditional Creation, Fall, and Redemption (or Creation, Fall, Redemption, and Consummation) is still rather serviceable. Wright’s suggestion is helpful, though, in that it distinguishes Israel’s phase thereby ensuring we don’t simply skip over it straight to Jesus–as if we could. It also helps us remember that while Israel is part of the Jesus plan, it is still a distinct phase, not to be confused with Christ’s work or that of the church.
Vanhoozer’s rolling the Fall back into the first act of Creation is also admirable for it’s theocentricity–God-centeredness. When it comes to thinking through the different acts as periods of human action, the Fall needs to be accounted for in our moral and theological reflection, but isn’t really stage on its own, it’s a presupposition for the rest. The narration of salvation-history is governed by God’s gracious action, not human sin.
I don’t have much to comment beyond that except to ask: what do you all think? Theologians, Bible-types, any thoughts?
Soli Deo Gloria