John’s the Odd Kid in the Corner

kid in the cornerThe Gospels are each unique. That’s one of the big takeaways I had from seminary. Matthew, Mark, Luke, and John all had one goal: tell the gospel of Jesus. That said, they went about that goal in different ways, working with overlapping material, as well as different material, with editorial work that reflects their different audiences and short-term purposes (which scholar debate about endlessly so I won’t even try to wade into that right now.)

All that said, John’s bit more unique. The other three are typically known as the synoptic Gospels because they all share a ton of material, and seem to follow a similar timeline with expanded sections here and there. John kinda does his own thing. He’s got these long expanded meditations, speeches, and limited action. He’s like the odd kid in the corner staring at bark, wondering what it’s made of, when the other three are out on basketball court running about.

Calvin tries to capture this difference in his opening to the commentary on John:

Yet there is also this difference between them, that the other three are more copious in their narrative of the life and death of Christ, but John dwells more largely on the doctrine by which the office of Christ, together with the power of his death and resurrection, is unfolded. They do not, indeed, omit to mention that Christ came to bring salvation to the world, to atone for the sins of the world by the sacrifice of his death, and, in short, to perform every thing that was required from the Mediator, (as John also devotes a portion of his work to historical details;) but the doctrine, which points out to us the power and benefit of the coming of Christ, is far more clearly exhibited by him than by the rest. And as all of them had the same object in view, to point out Christ, the three former exhibit his body, if we may be permitted to use the expression, but John exhibits his soul. On this account, I am accustomed to say that this Gospel is a key to open the door for understanding the rest; for whoever shall understand the power of Christ, as it is here strikingly portrayed, will afterwards read with advantage what the others relate about the Redeemer who was manifested.

–Commentary on John, Preface

While recent literary theory and technique have shown the way that the other Gospel-writers were still doing some deep, meditative theology in their Gospels, there’s something special about dwelling at length on John’s account. As Calvin hints, staring deep into the eyes of Jesus in John, helps you understand his acts and words in the other Gospels.

In other words, spend some time with the odd kid in the corner. Just like in real life, this can pay off.

Soli Deo Gloria

There are so many awesome resources on John, but here are two I’ve found beneficial:
John for Everyone Part 1 Part 2 by N.T. Wright – While he’s got some quirky takes here and there, Wright does a beautiful job grounding John’s unique Gospel in 1st Century history, unlike some others, and keeps it quite readable.
The Gospel According to John by D.A. Carson – Scholarly enough, but very pastoral, Carson’s commentary is also well-rooted in history. Great for preaching and paper-writing.

Becoming the Archetype’s I AM = The Doctrine of God + Death Metal

Alright, so this is the one where I blow my credibility with a bunch of you: I love metal music. I’m not an expert, a connoisseur, or even an amateur. I’m just a fan. Still, I love the speed, the ferocity, the heaviness, and the creativity involved with the genre and its multiple sub-genres.

One of my favorite acts is a Christian progressive death metal band by the name of Becoming the Archetype. (Think Christ as the archetype of humanity made in the image of God into whose image we are being conformed.) They embody what I’ve been saying for the last few years: some of the most creative, theological song-writing is coming, not out of the worship music industry, but the metal and hardcore scene. With albums titled Terminate Damnation and songs like  “Ex Nihilo” and “Elemental Wrath: Requiem Aeternam”, it’s obvious they don’t pull theological punches. Redemption never sounded this brutal. Thankfully they’ve been thoughtful enough to actually handle deep theology within the medium, producing complex concept albums like “Dichotomy”, which they based on C.S. Lewis’ Space Trilogy in order to explore themes of resurrection, the knowledge of God, biology and technology. (It also features the most brutal rendition of “How Great Thou Art” you’ve ever heard.)

Now, when I learned of that the band had lost bassist and frontman, Jason Wisdom, I was worried both that the music and the message would suffer a drop-off in sound as well as theological content. (He left when his wife became pregnant. Something about wanting to be a good dad or something.) With release of their 5th full-length studio album I AM, my fears were assuaged.

In terms of sound, Christ McCane’s vocals come through loud, low, and aggressive.  The clean vocals shine at times and at times, not so much. Overall, very solid. There are quite a few good technical riffs, (the opening of the title track “I AM” comes to mind), solid drumming, a few good bass-lines, and a number of heavy break-downs, even though they’ve backed off a bit from other albums. Continuing the trend off of their last album Celestial Completion, they’ve continued to place increasing focus on progressive elements. Still, it regains some of the speed, heaviness, and aggression of Dichotomy. It’s a solid metal album. The more I listen to it, the more pleased I am. My face is quite sufficiently melted.

This is not the main reason I am excited by this album. What I love most is the theological ambition driving the sound. With I AM Becoming the Archetype has attempted to do something many academic theologians no longer try: say something substantial about God.

I AM

In the Old Testament God reveals himself to Moses in the burning bush as the great “I AM that I AM” (Exod. 3:14), or simply “I AM” (Yahweh). This is his specific covenant name by which Israel was to call him.  In Isaiah, specifically 40-55, a section that draws on Exodus themes of liberation and redemption, God repeatedly emphasizes that “I am” the one who will redeem Israel. (Isa. 41:4; 43:25; 47:10; 48:12; 51:12) In the NT we find Jesus taking up the divine self-designation in the book of John with its seven famous “I am” (ego eimi) statements. Using prominent OT images of salvation he declares himself to be the bread of God (6:33), the bread of life (6:35), the light of the world (8:12), the gate for the sheep (10:7), the resurrection and the life (11:25), the way, the truth, and the life (14:6), and the true vine (15:1). Each of these predicates symbolize some aspect or form of the salvation that Jesus brings or in fact is.

In the same vein, I AM is an extended reflection on the glorious, terrifying predicates which can be ascribed to God in his saving actions, especially as they are manifested in Jesus Christ. Check out the track list:

  1. The Ocean Walker
  2. The Time Bender
  3. The Eyes of the Storm
  4. The Sky Bearer
  5. The Machine Killer
  6. The Weapon Breaker
  7. The War Ender
  8. The Planet Maker
  9. The Sun Eater
  10. I AM

Now, let’s be honest, we’re not dealing with Thomas Aquinas, or Barth, or Bavinck here. This is a death metal band. Some over the top metalness is to be expected. Still, there’s something great about a band that will speak in the first person for God and utter:

Traversing the infinite
Transcending the evident
Watch as reality bends to my will

Navigating eternity
Dispatching uncertainty
Navigating eternity
Behold in my presence
Time standing still

I am the future
I am the past
I have seen you breathe your last

The metal epicness is almost too much to bear. What I do love is that song after song we see some attribute or action of God’s, whether eternity, the act of creation, judgment, or consummation, being defined through the Son. Ending on a truly Johannine note, the refrain of the title song simply states, “I AM THAT I AM/I AND THE FATHER ARE ONE.” We know God in and through Jesus Christ or not at all.

To sum up: if you like metal, or Jesus, check out the album. Prepare for theology and epicness.

Check out the first single, “The Time Bender” below.